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Essex Boys

Release Date: July 14th 2000
Distributor: Pathe
Certificate: 18
Starring: Sean Bean, Alex Kingston, Charlie Creed-Miles, Larry Lamb, Holly Davidson
Director:
Terry Winsor
Running Time:
102 mins
The starting point of this film is actually a documented police case, where a Range Rover was discovered in an Essex wood with three bodies inside, all of whom had been shot to death. Of course the rest of the movie is complete fiction as to what led up to this bloody execution-style shooting, placing aside the fact that two men are currently serving life sentences for the murders while another is living under an assumed name. From this bloody beginning, the story moves back in time ('Reservoir Dogs' 'The Usual Suspects' style) to give us the story of those involved, incluing the killers and their victims.
Sean Bean plays Jason Locke, a newly released con who is none-too-pleased with the fact that he's been stuck in a prison cell while his ex-associates have been raking in the readies. Behind every bad villain there's a bad woman and in Locke's case, it's his wife Lisa (Alex Kingston) who believes that they have both suffered enough and that hubby should lean on the old gang for some financial compensation.

As we see Locke's story unravel, we also follow the path of 'wanna-be villain', Billy Reynolds (Charlie Creed-Miles) who acts as the narrator as for the unfolding events and who is hired by influential businessman John Dyke (Tom Wilkinson) to act as Locke's chauffeur. Billy, first of all wary of the fiery and abusive Locke, soon begins to admire his no-nonsense stance and the power and control he has over various villains and ordinary folks.
We know that he is going to get himself in way over his head, not only because of his oBuena Vista Internationalous gullibility and naivety, but also because we've unfortunately seen it all before in countless other gangster movies, both here and in the U.S. Since 'Lock, Stock And Two Smoking Barrels' everyone seems to have jumped on the band-wagon ('Circus', 'Gangster No. 1', 'Love, Honour And Obey') and this again proves that maybe the wheels of the said wagon should be removed once and for all. Everything begins to feel that it's being overdone for the sake of theatricality rather than realism, from the crude language to the obligatory ultra-violence with everyone trying to be harder than the next man.
It's not all bad, in fact if this movie had appeared three or four years ago it would have been considered quite entertaining. But it's subject matter is tired. So tired that it should be allowed to sleep for a while. It's one saving grace is that Sean Bean does turn in a very creditable and believable performance for once as a bad guy on the make, as does Alex Kingston as his wife and the excellent Tom Wilkinson as the shady businessman… but three top turns does not a good film make.

BY DARRELL FINN