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American Movie

Release Date: July 7th 2000
Distributor: Sony
Certificate: 15
Starring: Mark Borchardt, Tom Schimmels, Monica Borchardt, Alex Borchardt, Chris Borchardt
Director:
Chris Smith
Running Time:
104 mins
After the unprecedented success of the 'Blair Witch Project', a film that managed to topple multi-million dollar blockbusters, it suddenly became apparent to many people, including filmmakers, that it really isn't always the highly paid, big-name stars, or expensive special effects which makes a good picture - and 'American Movie' certainly doesn't have any of these factors. The characters are all real, from the obnoxious to the surreal; these are people so eccentric that they are too stereotypical and bizarre to have been thought up. The film itself is in fact a two-year documentary without a script. Yet this movie contains real-life - and more often than not, is genuinely funnier and more touching than rehearsed tragi-comedies are on film.
The movie charters an authentic Wayne's World, Mike Myers-like individual named Mark Borchardt who is trying to realise his childhood ambition of becoming a filmmaker, but first needs to sell 3000 copies of his recently resurrected, yet incomplete, black and white horror film, 'Coven', in order to finance his latest project 'Northwestern' - a semi-autobiographical production. During this spontaneous saga, Chris Smith who caught the entire documentary on camera, reveals to the audience a host of characters, such as Borchardt's charmingly obtuse friend Schank (completing the Wayne and Garth duo), who has given up his drug addition to fund his scratch-card dependency, as well as his peculiar Uncle Bill - an 82 year-old who to all intents and purposes possesses a substantial amount of money, yet never-the-less lives in a trailer park. Watching this Uncle Bill bitterly part with his money at the expense of getting Producer's credit on the film Borchardt wants to finance, imparts only a fleeting moment of the humor this film has to offer, but also tackles the emotive struggle that Borchardt must endure to attain his ageing aspiration (it's taken him 30 years to get this far).
At times, this is a film that delivers unwitting performances that come across as even better than one could expect from a perfectly scripted film, for this is life in the raw and more natural than any scriptwriter could ever hope to create. Smith's talent as a documentarian reveals an invigorating lack of the cynical stigma often attached to the cruel realism of the American Dream, as his encapsulation of Borchardt's life presents poignancy which the audience will most probably encounter as they find themselves wishing him to succeed in his plight. This will be a film that will elevate a film star, as well as a director, to be idolised by independent filmmakers and enjoyed by benevolent audiences alike.